The Horror! Essay Example For Students

The Horror! Essay The Horror!In Heart of Darkness it is the white invaders for instance, who are, almost without exception, embodiments of blindness, selfishness, and cruelty; and even in the cognitive domain, where such positive phrases as to enlighten, for instance, are conventionally opposed to negative ones such as to be in the dark, the traditional expectations are reversed. In Kurtzs painting, as we have seen, the effect of the torch light on the face was sinister (Watt 332). Ian Watt, author of Impressionism and Symbolism in Heart of Darkness, discusses about the destruction set upon the Congo by Europeans. The destruction set upon the Congo by Europeans led to the cry of Kurtzs last words, The horror! The horror! The horror in Heart of Darkness has been critiqued to represent different aspects of situations in the book. However, Kurtzs last words The horror! The horror! refer, to me, to magnify only three major aspects. The horror magnifies Kurtz not being able to restrain himself, the colonizers greed, and Europes darkness. Kurtz comes to the Congo with noble intentions. We will write a custom essay on The Horror! specifically for you for only $16.38 $13.9/page Order now He thought that each ivory station should stand like a beacon light, offering a better way of life to the natives. He was considered to be a universal genius: he was an orator, writer, poet, musician, artist, politician, ivory producer, and chief agent of the ivory companys Inner Station. yet, he was also a hollow man, a man without basic integrity or any sense of social responsibility. Kurtz issues the feeble cry, The horror! The horror! and the man of vision, of poetry, the emissary of pity, and science, and progress is gone. The jungle closes round (Labrasca 290). Kurtz being cut off from civilization reveals his dark side.Once he entered within his heart of darkness he was shielded from the light. Kurtz turned into a thief, murderer, raider, persecutor, and to climax all of his other shady practices, he allows himself to be worshipped as a god. E. N. Dorall, author of Conrad and Coppola: Different Centres of Darkness, explains Kurtzs loss of his identity.Daring to face the consequences of his nature, he loses his identity; unable to be totally beast and never able to be fully human, he alternates between trying to return to the jungle and recalling in grotesque terms his former idealism. Kurtz discovered, A voice! A voice! It rang deep to the very last. It survived hisstrength to hide in the magnificent folds of eloquence the barren darkness of his heart . But both the diabolic love and the unearthly hate of the mysteries it had penetrated fought for the possession of that soul satiated with primitive emotions, avid of lying, fame, of sham distinction, of all the appearances of success and power. Inevitably Kurtz collapses, his last words epitomizing his experience, The horror! The horror! (Dorall 306). The horror to Kurtz is about self realization; about the mistakes he committed while in Africa. The colonizers cruelty towards the natives and their lust for ivory also is spotlighted in Kurtzs horror. The white men who came to the Congo professing to bring progress and light to darkest Africa have themselves been deprived of the sanctions of their European social orders. The supposed purpose of the colonizers traveling into Africa was to civilize the natives. Instead the Europeans took the natives land away from them by force. They burned their towns, stole their property, and enslaved them.Enveloping the horror of Kurtz is the Congo Free State of Leopold II, totally corrupt though to all appearances established to last for a long time (Dorall 309). The conditions described in Heart of Darkness reflect the horror of Kurtzs words: the chain gangs, the grove of death, the payment in brass rods, the cannibalism and the human skulls on the fence posts.Africans bound with thongs that contracted in the rain and cut to the bone, had their swollen hands beaten with rifle butts until they fell off. .udcd44b5d1dacaa569b924c597e39dce7 , .udcd44b5d1dacaa569b924c597e39dce7 .postImageUrl , .udcd44b5d1dacaa569b924c597e39dce7 .centered-text-area { min-height: 80px; position: relative; } .udcd44b5d1dacaa569b924c597e39dce7 , .udcd44b5d1dacaa569b924c597e39dce7:hover , .udcd44b5d1dacaa569b924c597e39dce7:visited , .udcd44b5d1dacaa569b924c597e39dce7:active { border:0!important; } .udcd44b5d1dacaa569b924c597e39dce7 .clearfix:after { content: ""; display: table; clear: both; } .udcd44b5d1dacaa569b924c597e39dce7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .udcd44b5d1dacaa569b924c597e39dce7:active , .udcd44b5d1dacaa569b924c597e39dce7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .udcd44b5d1dacaa569b924c597e39dce7 .centered-text-area { width: 100%; position: relative ; } .udcd44b5d1dacaa569b924c597e39dce7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .udcd44b5d1dacaa569b924c597e39dce7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .udcd44b5d1dacaa569b924c597e39dce7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .udcd44b5d1dacaa569b924c597e39dce7:hover .ctaButton { background-color: #34495E!important; } .udcd44b5d1dacaa569b924c597e39dce7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .udcd44b5d1dacaa569b924c597e39dce7 .udcd44b5d1dacaa569b924c597e39dce7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .udcd44b5d1dacaa569b924c597e39dce7:after { content: ""; display: block; clear: both; } READ: Comparison Of Lord Of The Flies,the Lottery,the Essay Chained slaves were forced to drink the white mans defecation, hands and feet were chopped off for their rings, men were lined up behind each other and shot with one cartridge, wounded prisoners were eaten by maggots till they died and were then thrown to starving dogs or devoured by cannibal tribes (Meyers 100). The colonizers enslaved the natives to do their biding; the cruelty practiced on the black workers were of the white mans mad and greedy rush for ivory. The unredeemable horror in the tale is the duplicity, cruelty, and venality of Europeans officialdom (Levenson 401).Civilization is only preserved by maintaini ng illusions. Juliet Mclauchlan, author of The Value and Significance of Heart of Darkness, stated that every colonizer in Africa is to blame for the horror which took place within.Kurtzs moral judgment applies supremely to his own soul, but his final insight is all encompassing; looking upon humanity in full awareness of his own degradation, he projects his debasement, failure, and hatred universally. Realizing that any human soul may be fascinated, held irresistible, by what it rightly hates, his stare is wide enough to embrace the whole universe, wide and immense.. .. embracing, condemning, loathing all the universe (Mclauchlan 384). The darkness of Africa collides with the evils of Europe upon Kurtzs last words. Kurtz realized that all he had been taught to believe in, to operate from, was a mass of horror and greed standardized by the colonizers. As you recall in Conrads Heart of Darkness, Kurtz painted a painting releasing his knowledge of the horror and what is to come. A painting of a blindfolded woman carrying a lighted torch was discussed in the book. The background was dark, and the effect of the torch light on her face was sinister. The oil painting suggests the blind and stupid ivory company, fraudulently letting people believe that besides the ivory they were taking out of the jungle, they were, at the same time, bringing light and progress to the jungle.Kurtz, stripped away of his culture by the greed of other Europeans, stands both literally and figuratively naked. He has lost all restraint in himself and has lived off the land like an animal. He has been exposed to desire, yet cannot comprehend it. His horror tells us his mistakes and that of Europes. His mistakes of greed for ivory, his mistakes of lust for a mistress and his mistakes of assault on other villages, were all established when he was cut off from civilization. When Conrad wrote what Kurtzs last words were to be, he did not exaggerate or invent the horrors that provided the political and humanitarian basis for his attack on colonialism. Conrads Kurtz mouths his last words, The horror! The horror! as a message to himself and, through Marlow, to the world. However, he did not really explain the meaning of his words to Marlow before his exit. Through Marlows summary and moral reactions, we come to realize the possibilities of the meaning rather than a definite meaning. The message means more to Marlow and the readers than it does to Kurtz, says William M. Hagen, in Heart of Darkness and the Process of Apocalypse Now. The horror to Kurtz became the nightmare between Europe and Africa. To Marlow, Kurtzs last words came through what he saw and experienced along the way into the Inner Station. To me, Kurtzs horror shadows every human, who has some form of darkness deep within their heart, waiting to be unleashed. The horror that has been perpetrated, the horror that descends as judgment, either in this pitiless and empty death or in whatever domination there could be to come (Stewart 366). .u4c52f8bc9b08ed230684d176040379c4 , .u4c52f8bc9b08ed230684d176040379c4 .postImageUrl , .u4c52f8bc9b08ed230684d176040379c4 .centered-text-area { min-height: 80px; position: relative; } .u4c52f8bc9b08ed230684d176040379c4 , .u4c52f8bc9b08ed230684d176040379c4:hover , .u4c52f8bc9b08ed230684d176040379c4:visited , .u4c52f8bc9b08ed230684d176040379c4:active { border:0!important; } .u4c52f8bc9b08ed230684d176040379c4 .clearfix:after { content: ""; display: table; clear: both; } .u4c52f8bc9b08ed230684d176040379c4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4c52f8bc9b08ed230684d176040379c4:active , .u4c52f8bc9b08ed230684d176040379c4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4c52f8bc9b08ed230684d176040379c4 .centered-text-area { width: 100%; position: relative ; } .u4c52f8bc9b08ed230684d176040379c4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4c52f8bc9b08ed230684d176040379c4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4c52f8bc9b08ed230684d176040379c4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4c52f8bc9b08ed230684d176040379c4:hover .ctaButton { background-color: #34495E!important; } .u4c52f8bc9b08ed230684d176040379c4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4c52f8bc9b08ed230684d176040379c4 .u4c52f8bc9b08ed230684d176040379c4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4c52f8bc9b08ed230684d176040379c4:after { content: ""; display: block; clear: both; } READ: Geology: A Science of Lies Essay Once the horror was unleashed, there was no way of again restraining it.Dorall, E. N. [Conrad and Coppola: Different Centres of Darkness. ] Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 306, 309.LaBrasca, Robert. [Two Visions of The Horror!. ] Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 290.Levenson, Michael. [The Value of Facts in the Heart of Darkness. ]Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 401.McLauchlan, Juliet. [The Value and significance of Heart of Darkness. ] Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 384.Meyers, Jeffrey. Joseph Conrad. New York: Charles Scribners Sons, 1991.Stewart, Garrett. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 266.Watt, Ian. Heart of Darkness. By Joseph Conrad 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical 1988. 332.

Essay Introduction Samples - How to Write An Essay Introduction Sample That Will Interest the Reader

Essay Introduction Samples - How to Write An Essay Introduction Sample That Will Interest the ReaderIt is not easy to write an essay introduction sample because this is not your typical essay. There are a few things you should remember if you want to write an essay introduction sample that is easy to read and easy to understand. When writing your essay introduction sample, you should never put too many words in the introduction. Instead, you should keep the introduction simple and to the point.The first and most important thing you need to remember is the content of your essay. You should not repeat information that is already stated in the essay. Instead, you should tell the reader what is new about your essay. If you make too many references to a certain topic, then your essay introduction sample will become confusing and difficult to understand. Always give the readers a clear idea of what is new about your essay by providing them with enough information.Another thing that is very important when writing an effective essay introduction sample is to have enough space. You do not want to have too much information in your essay as it will lead the reader to lose interest. Having too much information may not be the best way to ensure a good impact on the reader.Many people do not know this, but the last part of the essay introduction sample should always be interesting. The writer should not just list the main points of the essay. He or she should keep on saying the main point. The writer should use this opportunity to point out the main flaw of the author and that is how to correct it. However, the writer should mention that the flaw is very minor so that the reader does not get bored with the essay introduction sample.When writing an essay introduction sample, you should always think about what the author is trying to say. If the author makes a mistake in his essay, then the writer should always try to point out the flaws that he is trying to avoid. When readin g your essay introduction sample, the reader will not only get to know what is new about the essay, but he or she will also get to know the flaws that the author is trying to avoid. If the flaws are not corrected, then the reader will not get to the main points of the essay.The last thing that you need to remember when writing an essay introduction sample is that it should be easy to read. There should be no spelling errors and if there are any, then your essay introduction sample will have a hard time getting the reader's attention. The importance of choosing good and appropriate essay introduction samples cannot be stressed enough. When writing an essay introduction sample, your main objective is to keep the reader interested so that he or she does not lose the interest. Remember, the more you repeat the information that is in the essay, the less impact your essay will have.Lastly, when writing an essay introduction sample, you should always make sure that the subject of the essay is related to your life philosophy. If you want to present a new point to the reader, you should mention that the essay introduces the topic. If you do not bring up the topic, then your essay introduction sample will simply bore the reader. A good essay introduction sample can show your reader the key points of your life philosophy and thus, present your ideas clearly.